Monday, October 18, 2010

Van Halen Guitar Solos The Fantastic Music World of Stevie Wonder

Eddie Van Halen is the lead guitarist with a one of the iconic seventies loud and uncouth metal bands. The personalities of the group's members have always been too individualistic to make for harmonious music, and the world thanks them for that. The personnel changes in the group have always tended to overshadow the music but in this article we will look at what isnike shoes special about the guitar solos of Eddie Van Halen. Some of his most well-known solos are on the tracks "Eruption", "Hot For Teacher", "Mean Street" and on the Michael Jackson track, "Beat It".

"Eruption" is an instrumental track that features tapping on the guitar fretboard using both the left and right hands. This technique has always been surrounded by controversy because the fans of many guitar players want guitar tapping to be attributed to their idol. Eddie Van Halen himself is credited by many people to be the inventor of guitar tapping technique but Steve Hackett from Genesis was using the technique in the early seventies and two handed guitar tapping can be traced back to Jimmy Webster in the early nineteen fifties. Nevertheless the guitar tapping on "Eruption" helped make Eddie Van Halen a guitar legend, and Eddie himself says he simply got the idea from Jimmy Page's "Heartbreaker".

"Hot For Teacher" opens with Alex and Eddie Van Halen competing for our attention like little boys doing handstands for their parents. The video of this track was a babefest directed by David Lee Roth, the group's vocalist at the time, and was enormously popular with MTV audiences. On this highly theatrical number Eddie played Gibson Flying V, switching pickups as the dynamics of the song changed.

"Mean Street" is a showpiece for a Eddie Van Halen riff. This track also contains drama as the volume of the solo guitar, featuring Eddie simply showing off, starts low and increases menacingly. The riff on "Mean Street" is a classic seventies riff that old men will still be humming fifty years from now.

Michael Jackson got himself two Grammy Awards with the album "Thriller" featuring the song "Beat It". Eddie Van Halen was asked to play the solo on this song by Quincy Jones, the co-producer
air max of the album. The lyrics feature violence between gangs and Eddie's guitar solo matched the theme perfectly. The simplicity of the song's main riff provides a stunning backdrop for Eddie's pyrotechnics.

It is Eddie Van Halen's instinctive ability to contrast virtuosity with simplicity that makes him a guitar genius. His unerring use of tremolo in his picking and his penchant for guitar tapping have made him a legend. Eddie used a cheap guitar body fitted with a humbucker pickup, thus proving that the music is in the guitar player, not the guitar. We need to also acknowledge Floyd Rose's fulcrum vibrato that endowed electric
nike dunk guitar vibrato with a flexibility that the guitarists of the sixties would have envied and which has been a crucial element in Eddie Van Halen's playing style.



2.
Born May 13, 1950, in Saginaw, Michigan, Steveland Hardaway Judkins grew up to become yet another icon of the music world in the late 1900s. Apparently, he was blind since he was a baby because cataracts had developed in his eyes when he was an infant, but like Ray Charesl, Steveland did not let his blindness get in the way of his music. chanel outletHe would later come to be known as Stevie Wonder and would be known as a record producer, song-writer and multi-instrumentalist because he could play so many different instruments. He has also often been referred to as a great musical genius.

Stevie Wonder began playing music and singing as early as four years of age. Impressed by Stevie's talent, Berry Gordy signed the young boy up under the Tamla label. It was soon after this, in 1963, when Stevie had his first big hit, called 'Fingertips'. This hit was what was responsible for bringing Stevie Wonder out into the public eye. He continued to have more hits throughout the '60s and '70s.

Due to the lack of creative control over what he could do, Stevie decided to leave the Motown label when he was twenty-one so that he could go out on his own and be more creative. He then created two albums on his own and used these to his advantage when Motown was trying to negotiate with him. They wanted his talent back, but he wanted to own the rights to his own songs and also wanted to have more creative control over his own work.

In 1972, Motown agreed to his demands and he decided that he would return. It was not long after his return that he released yet another album that was such a hit it was regarded as a classic at the time. His career continued to grow and he released more successful albums, appeared on television and won a number of awards.

Throughout his career, things went relatively smoothly and he later won a total of three Grammy Awards. He suffered a bit of a setback when he was involved in a vehicle accident that left him in a coma for about four days, which cost him his sense of smell, but luckily this did not injure him seriously enough to impede his career. He continued to put out a few more albums, toured a bit and played at a number of concerts.

As time went on, some of his music was a nike outlet storelittle hard to accept by some people because it was so different and perhaps not so easy to understand. In fact, in 1976 he released an album that was considered to be one of Stevie's biggest achievements, even though it was not readily accepted by the audience. This particular album is still seen as one of the most accomplished in the history of pop music.

His music may not have always been understandable, but it was relatively influential in the sense that he showed how one can always improve or change the music of the time. There are no real boundaries unless a musician wants boundaries. There is always something new to try and one should never set the bar too low in their musical goals in life.



3.Bluegrass Guitar Scales
Bluegrass music is an offshoot of the country and western musical genre. As with country music, bluegrass has its foundation in the music of Ireland, Scotland and England. If bluegrass is centered on one area of the USA, it is Appalachia. The people are of Irish and Scottish descent and in their music instrumental virtuosity is not a poor relation of chanel handbagssinging. In most forms of popular music the instruments back up the vocalist, but in bluegrass the vocals and the instruments are all just members of the team. In a bluegrass band everybody is expected to take a solo just as they do in a jazz band. The instruments associated with bluegrass music are acoustic guitar, banjo, fiddle and bass.

The main thing to remember if you want to learn to play bluegrass scales is to learn some tunes. That is what music is made of. The scales are just the foundation of melodies and you need to be able to break out of the confinement of your scale as soon as possible. The other thing learning tunes is good for is developing right hand speed. As you can tell from listening to bluegrass music, speed flatpicking is essential.

If you are interested in learning bluegrass music and you would like to start by learning scales, start with the major scales in the open position. Do not bother with going up the neck of the guitar yet becausenike outlet store learning your scales in the open position is crucial for playing bluegrass solos. Learn the scale in the key of G first, then C, D, F, A and E. Learn the keys one at a time so that you are comfortable with one before you go onto the next key. As with all musical learning, the more work you put into it at the beginning, the greater the rewards and the quicker your progress.

When you sit down each day to practice your scales, spend five or ten minutes going up and down the scale alternately. Then experiment a little. Try playing the scale by skipping some notes or playing the notes randomly. You need to become very familiar with the major scale because bluegrass solos rely on major keys. To get further into bluegrass guitar scales, find examples of the major pentatonic and the major diatonic scale.

Another basic scale that is important in bluegrass, blues, country and rock music is the minor pentatonic scale. It has five notes, should be learned in all positions on the guitar neck in all keys, and has
nike shoes been used for lead solos by every guitar player known to man. It is also popularly known as the blues scale. If you do not know much about modes, do an internet search to get some idea of the difference between a scale and a mode. If you have trouble understanding the theory, do not worry, just try playing.

The mixolydian mode is a good "scale" to practice on also:

E----------------------------------------------------------------0-----1-----3

B-------------------------------------------------0-----1-----3---------------

G----------------------------------------0----2-------------------------------

D------------------------0-----2-----3----------------------------------------

A--------0-----2----3---------------------------------------------------------

E--3--------------------------------------------------------------------------

To get more in-depth knowledge of bluegrass guitar scales, some great bluegrass guitar players to listen to are Vassar Clements, Doc Watson, Darol Anger, Clarence White, Norman Blake and Sam Bush.

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